Powerline
2020 Borderline Biennial of Contemporary Art, Art Gallery of Alberta, variable dimensions, 2020.
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Details of Powerline, 2020 Borderline Biennial of Contemporary Art, Art Gallery of Alberta, variable dimensions, 2020. (Photo credit: Charles Cousins)
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Studio view and details of Powerline, carved wood and mixed media, variable dimensions, 2020. (Photo credit Blaine Campbell.)
Evolving Anatomies
Dyscorpia exhibition, Enterprise Square, Edmonotn, Canada, 2019
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Installation view of Evolving Anatomies (collaborative work with Marilene Oliver and Scott Smallwood), Enterprise Square, Dyscorpia exhibition, carved wood, silkscreen, plexiglass, wax, video projection, variable dimensions, 2019.
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Details of Evolving Anatomies, (collaborative work with Marilene Oliver and Scott Smallwood) carved wood, silkscreen, plexiglass, wax, video projection, variable dimensions, 2019. Click to zoom in.
Installation view of Evolving Anatomies (collaborative work with Marilene Oliver and Scott Smallwood), second version, carved wood, plexiglass, wax, video projection, variable dimensions, 2019.
Deadweight
Vernon Public Art Gallery, British Columbia, Canada, 2018.
Installation view of Deadweight, ink, plywood, found tree branches, central and wall panels approximately 10ft x 22ft, Vernon Public Art Gallery, 2018. Mezzotint prints in the background. (Photo Credit: Yuri Akuney)
Detail view of Deadweight, ink, plywood, found tree branches, Vernon Public Art Gallery, 2018. (Photo Credit: Yuri Akuney)
Firedamp
dc3 Art Projects, Edmonton, Alberta, Canada, 2016.
Installation view of Firedamp exhibition, dc3 Art Projects, Edmonton, Alberta, Canada, 2016. (Photo Credit: Blaine Campbell)
Installation view of Firedamp exhibition, with paste-up of printed section of The Flood on the back wall, dc3 Art Projects, Edmonton, Alberta, Canada, 2016. (Photo Credit: Blaine Campbell)
The Flood
Art Gallery of Alberta, Canada, 2016.
Public installation of section of The Flood, printed gampi pasted on wall with starch glue, Churchill LRT Station, Edmonton, Alberta, Canada, 2016.
(Photo Credit: Blaine Campbell)
